In February 2018 I took what turned out to be the biggest and most progressive steps in my fledgling art career….I painted. I didn’t now it then as most things usually go, but deciding to finally use the hundred of dollars worth of art supplies I kept hoarding turned into this journey that I didn’t expect would unfold this quickly.
In about October 2018, I was asked to participate in what would be my first major art joint exhibition in March 2019. scared, I asked for time to think before I took such a big step. What would I paint? Who is my audience? Would people not only like, but buy my work? The doubts surfaced, but then, I began to think of all the reasons why I should, the most important being another step toward fulfilling my lifelong dream.
So after agreeing to share the space with another amazing local artist, I began to explore my artistic vision. I find myself drawn to old yet beautiful things, I feel like there’s a subconscious link in there to my late father and his fascination with hoarding simply old things that become engulfed in time by the effects of nature, but for now I’ll leave it as this cursory self-revelation.
With that said, I decided to focus on aspects of landscapes and seascapes that showed a different aspect of my country, Trinidad and Tobago. Over this week I will give some insight into this body of work and what inspired me.
It was frustrating, rewarding (all my pieces were sold!) and exciting. I made new friends, attracted new supporters of my work and accomplished one of the most intimidating experiences I think an artist faces. Looking forward to it all getting better from here!
Now that my Peru series of portraits are over, the next series of paintings in my collection will capture some of my memories from Europe. I did an exchange semester in the Netherlands so I took the opportunity to travel through as much of Europe as possible. Europe for me was more about architecture as it was my first time that and I really wanted to see as many historic landmarks as possible.
The first stop is Germany. I went to Berlin and Potsdam as I didn’t stay very long, about 3 days so I took the opportunity to see the Sanssouci Palace in Potsdam. Sanssouci is the summer palace of Frederick the Great, King of Prussia, in Potsdam, near Berlin. It was absolutely gorgeous and it would have been even more so if the garden terraces were fully grown.
After touring the outside of the palace, I explored the gardens and came across this windmill – which I didn’t think I’d see anywhere but the Netherlands (naive I know) and decided to paint it. Doing the wet on wet wash for the sky was tricky but even more challenging was the wood detail. My favourite part was how the light was captured on the fan blades of the windmill.
Let me start off by saying I have to return to Peru! Maybe it will happen sooner rather than later but as I come to an end of the Peruvian leg of my travel memories I did learn a lot along the way which helped me improve my approach to portraits.
This portrait is by far my favourite. I was enthralled by the multitude of colours and the stark contrast between the turquoise background against her red coat. This one took me about 11 days. I think it was because I was so in love with everything about it and didn’t want to take too long to finish so I was excited about seeing the end product and getting it all the way I wanted to.
I did a trial version of the wall background because I needed to have it all perfectly executed and I guess this is where my perfectionist nature emerges! But I’m so pleased with the end result. After completing this piece; I was pretty much an expert with the masking fluid and capturing the details. In my reference photo, she was behind a table so I had to make up her skirt, but in the end all turned out well!
I’m almost at the end of the Peruvian leg of my memories and this one was not as complex – I think subconsciously I needed a break from all the details. I really love how vibrant her hat was against the contrast of the white wall. I’m not sure I captured her the way I really wanted to, and at times I feel like doing it over because the perfectionist in me is coming out, but I still love it.
The subtle shadows on the wall weren’t as difficult to capture as I thought the straps on her hat however, was much more demanding. The biggest lesson from this experience so far has been acquiring patience and trusting the process. Sometimes in the beginning, when just the undertones are laid down, I begin to doubt some decisions and constantly have to remind myself to relax and go with the flow (no pun intended!).
This next piece challenged me in many ways. The first was getting his facial expression right. He wasn’t exactly smiling, and had a small, slightly upturned mouth. I also really wanted to capture the sun-burnt cheeks that most Peruvians have with my paint application. Lastly, the biggest challenge was executing such an intricately designed poncho!
Getting the under-painting down came easier with all those min-portraits I did in the last few months. What took the most time was that poncho! I questioned my decision to do it many times – could I do it? Can I capture the shadow and light within all those patterns? the masking fluid application in itself was a huge task! My last big decision was whether or not to paint the background behind him or do a wash; mostly because I was already overwhelmed by the details of everything else, but I wanted to test my limits and went with the background of the photo. I wanted the multi-coloured clothing to be the thing that drew in the viewer the most so I made the background not appear too prominent with more muted tones utilising more water.
As a self-taught artist navigating your medium of interest without the help of classmates can be interesting. I joined one of those Facebook group’s about watercolours to learn and gain some exposure to other artists practicing the medium and someone posted about fugitve colours.
Having never heard of it before, I was intrigued. What is a fugitive colour? Was I using any of those shades? What does it mean for my artwork? So I did some digging and found this post on Artists Network, which helped me out.
After reading up on it, it did make me question the longevity of a watercolour painting, whether fugitive colours are used or not. I haven’t started brushing up on my art history, but I intend to as well as experiment with different brands. Some google research educated me on the longevity of certain paints versus others. In this regard, while I am enjoying the process of using watercolours in my work so far, I can’t wait to explore my other mediums of interest.
One Sunday in Lima some friends and I went to a street festival in the city centre. It was incredibly hot, however we were happy for the break away from our studies. I don’t recall the reason for the festival, but there were a lot of different traditional characters and dances parading along the square. One of which was this guy I painted earlier.
In trying to escape the heat while capturing photos of all the characters I’d never seen before, it reminded me a bit of home and our traditional characters shaped by our local folklore – a series which I have on my to do list of things to paint. But, I digress, while looking around, there was this group of women waiting against a wall in the square seemingly also taking refuge in the shade the buildings provided. I decided to capture that moment and it now features as one of my paintings. I call them the Ladies in Waiting.
The amount of detail required made me feel pretty overwhelmed and it was my first time putting masking fluid to this much use! Trying to find a tool to use with it for tiny areas proved to be a headache and at times I wanted to stop doing it, but I persevered and this is the end result. A part of my wants to attempt it again to fix all the flaws I see and do it on a much larger scale, but I do love many aspects of this, most importantly my dedication to finish!
During my last month in Peru, I decided to see as much as I could in the week or so I had left when school ended. So I decided of all the places I still had on my bucket list in the country, where would I get the best bang for my buck, and decided to return to Cusco. This solo trip was going to be my last hurrah and I wanted to make it count so I pulled up a map and charted out my adventures.
I stayed in Cusco for a couple days and decided to take a bus from there to Puno overnight for one full day of touring Lake Titcaca, the Uros Islands and Taquile Island. My logistics went seamlessly and with my improved Spanish language skills I felt invincible! After our Uros Island tour where I saw this little angel; we went to Taquile Islands where we were hosted by a family who did a traditional dance and received a traditional meal.
In preparation for the dance, I took some photos and there was this musician tuning his guitar. I was drawn to the contrast of their simpler, less colourful costumes overall so there was this stark contrast between his hat and the rest of his outfit, so I decided to capture him on canvas. Also his background made the perfect composition!
A couple of months ago, I posted about some pieces I was preparing that were outside of my portrait painting norm for an art exhibition in my country with one of our local art galleries for new and emerging artists.
The 16th of August was our opening night and I was not as nervous as I thought I’d be. I was more excited about the how the format of the night would be rather than the prospect of having to talk to others which is usually very intimidating for me. Would there be some opening remarks from the gallery? A specially invited guest? Alas, none of the above took place which was a bit underwhelming , but anyway I took some of my family members, mother – of course and my aunt and cousins. Some colleagues from work also showed up which was awesome since a couple of them heard my desire of wanting to become an artist for so long!
It’s was great seeing the range of talent on display…. in the lead up to the show, the gallery took care of mounting and labeling our work. All we had to do a month or so before was to get our stuff framed or matted and then show up on the night! It was my first experience dealing with a gallery so I was glad I didn’t have to be concerned with the logistics and set up. As a new artist, showing with a gallery is less stressful, they also market the show which places less pressure on you the artist if you’re new in the art world as long as you don’t mind the commission factor.
The opening ran for about an hour and a half….and I was able to talk to a potential buyer of my work who, eventually bought it (happy dance!) and meet other artists. It was a pretty awesome feeling being surrounded by those who came out to support even though they scolded me for not starting my art sooner and also just absorbing the atmosphere.
On that note, I definitely look forward to entering more shows and working towards having the guts to do a solo exhibiton!
On another note…I need to upgrade my camera…I don’t know why my S7 is betraying me like this with such poor quality pics!
Watercolours always seemed so intimidating to me – one wrong move and it’s all ruined compared to other mediums where mistakes can be corrected more easily. I chose it anyway because I realised I subconsciously wanted to rise to that challenge. So I took all my art funds and invested in solely watercolour paints and supplies. I bought Winsor and Newton in a cotman pan set as well as some professional colours. I use the cotman for practice pieces.
Embarking on this journey also led me to rediscover my artistic inspiration which I spoke of in this post and everything made sense.
What brand do you use and what has been your experience in finding the brand you love?