Having lived in Peru for about 11 months while going to school it was my first time living outside of my country for such a long period of time. It was definitely an adjustment not hearing your native language 98% of the time but sampling new foods, seeing new locations and making new friends helped with that adjustment. I also managed to learn Spanish along the way; I really had no choice in the matter and I’m glad I did 🙂
Peru for me represents a love/hate relationship. On the one hand, the challenges associated with living in any developing country became quite evident at times(and more so in another language) and on the other, my desire to explore its geography and immerse myself in the culinary world made the challenges (and the extra pounds) worth it!
I am in love with colour. Seeing the indigenous people in all their colourful splendour was a sight to behold – it’s what inspired my first piece in this collection. I actually posted about it before. In this piece, I experimented with a couple watercolour techniques to get it to my liking. I especially love his jacket where I got it to resemble the textured threads of the fabric with some dry brush and lifting of the paint. I wanted a type of 3D effect so I painted his hat outside of the colored background; I was also unaware of the use of painter’s tape for my borders, so this was my attempt at staying within the lines. Almost got it!
I feel like a collection isn’t even what you call it! But I’m currently working on my first collection of paintings…maybe it’s my first full portfolio, maybe it’s something else altogether. My intention is to produce 10 – 12 pieces and showcase in different formats/media.
Over the following weeks, I will be showing snippets of my process on my Instagram so if you’d like to see works in progress of these new pieces and my previous portrait posts, head on over!
For now, I’ll leave with this first teaser of my collection/portfilio/artistic reveal!
I enjoyed the figure drawing so much I decided to do another sooner than expected. After watching this video after completing this pastel study, I’m even more enthused to do more pastel work.
Colour palettes in watercolour for skin tones can be an interesting thing. Just the thought of seeing the colours even with the knowledge of colour theory individually compared to when they are applied to your canvas make it sometimes unbelievable that such skin tones are achievable.
It also gave me the idea to keep a log of successful skin tone mixtures like this one in a palette reference book for future portraits. I thoroughly enjoyed this piece. For one, I found the entire process went much more quickly than previous portraits. Additionally, my intuition to get the desired skin tone somehow seemed more responsive to picking the right ones. My Facebook has some video of the process where I laid the undertones of the complexion to the final result and it was pretty enjoyable to film. This one took me no more than 6 hours.
Do you keep a reference sheet for your swatches for different skin tones?
Continuing to experiment with different skin tones led me to this reference photo that featured bright greenish blue eyes. The shadows weren’t as intense as my previous attempts, but I loved the colours of the light and shadow on her skin so I decided why not.
The features and proportion on this one were easier to execute, but again the lashes and brows require a different tool. How strange is it that I restrict myself to just brushes but it actually just occurred to me while typing this that I could use a dip pen! Bazinga! Needless to say, this will be my next course of action on future portraits to execute the finer features.