A couple of months ago, I posted about some pieces I was preparing that were outside of my portrait painting norm for an art exhibition in my country with one of our local art galleries for new and emerging artists.
The 16th of August was our opening night and I was not as nervous as I thought I’d be. I was more excited about the how the format of the night would be rather than the prospect of having to talk to others which is usually very intimidating for me. Would there be some opening remarks from the gallery? A specially invited guest? Alas, none of the above took place which was a bit underwhelming , but anyway I took some of my family members, mother – of course and my aunt and cousins. Some colleagues from work also showed up which was awesome since a couple of them heard my desire of wanting to become an artist for so long!
It’s was great seeing the range of talent on display…. in the lead up to the show, the gallery took care of mounting and labeling our work. All we had to do a month or so before was to get our stuff framed or matted and then show up on the night! It was my first experience dealing with a gallery so I was glad I didn’t have to be concerned with the logistics and set up. As a new artist, showing with a gallery is less stressful, they also market the show which places less pressure on you the artist if you’re new in the art world as long as you don’t mind the commission factor.
The opening ran for about an hour and a half….and I was able to talk to a potential buyer of my work who, eventually bought it (happy dance!) and meet other artists. It was a pretty awesome feeling being surrounded by those who came out to support even though they scolded me for not starting my art sooner and also just absorbing the atmosphere.
On that note, I definitely look forward to entering more shows and working towards having the guts to do a solo exhibiton!
On another note…I need to upgrade my camera…I don’t know why my S7 is betraying me like this with such poor quality pics!
Last Sunday I took a trip to the southern most part of my country with some local Art Society members for a plein air painting trip. We were weary of the weather since the rainy season started and it had been raining all week….but the weather began to look promising Friday and Saturday so we said why not! Then our tour guide cancels and we decided to wing it…like how bad could it be right?
Well we got off to a late start and the added pit stops didn’t help, but it was a good experience. The rain fell on and off throughout our journey but we did have some time to get at.least some sketches in before we had to run for cover.
These are some shots taken of the trip…the map of our journey on the red line and the sketches I managed to do which I finished paint at home.
After my scarlet macaw painting, I mentioned that I was working on another piece for consideration at my local art gallery for new artists.
Living on an island, one of the perks entails the ability to have pretty close access to the water and increases our modes of transportation options. In that light, we have a ferry I use to get to work and one of the sights is this shipwrecked boat that’s been rusted out and has become a perch for both seagulls and fishermen.
One of the challenges of this piece was painting rust for the first time, and not just a small section, an entire boat full! Challenge accepted! With the help of YouTube I discovered some helpful videos to improve the realism of the decaying boat with a palette consisting mostly of burnt and raw umber, sepia and some indigo. Painting the textures involved some tricks of the trade such as salt and the paint splatter technique for the whites and aged nature of the boat’s hull to show the accumulation of years of decay.
The sea and the reflection on such a large canvas (18″x 24″) was another exercise in patience and speed. Patience in knowing the process had to be done in layers and not being unhappy mid-process and speed to ensure the paint didn’t dry before I needed it to to apply another swipe with my brush…especially since my largest brush at the moment is a flat 16! Crazy, I know!
So here’s the final result of all the experimentation. Have you ever done a seascape?